Moloka‘i Fact Sheet

 

 

Size:  260 square miles. It is 38 miles long and 10 miles wide.

 

Population:  7,000

 

Major Town:  Kaunakakai

 

Major Industries:  Tourism, cattle, and diversified agriculture.

 

Average Temperature:  75–85 degrees Fahrenheit.

 

Number of Swimmable Beaches:  6

 

Miles of Shoreline:  106 miles

 

Number of Parks:  There are six parks on Moloka‘i: one state park, four county parks, and one national park (Kalaupapa National Historical Park).

 

Highest Peak:  Kamakou (4,961 feet)

 

Principal Resort Areas:  In West Moloka‘i the principal resort areas are the Kaluako‘i Resort and Maunaloa Town; in Central Moloka‘i, Kaunakakai; and on the East End there are several bed & breakfast hideaways, vacation rentals, and condominiums.

 

Number of Hotels/Resort:  7

 

Number of Vacation Rentals:  36

 

Number of Vacation Homes/Cottages:  19

 

Number of Bed & Breakfast Inns:  3

 

Number of Restaurants/Eateries:  14

 

Number of Visitors Annually:  80,000

 

 

 

 

 

 

 

Most Popular Visitor Attractions:  Kalaupapa National Historical Park, Halawa Valley, Papohaku Beach & Park, and Moloka‘i Museum & Cultural Center.

 

Golf Courses:  Moloka‘i has two nine-hole courses. One is located “upcountry,” called The Greens at Kauluwai or better known as Ironwoods Golf Course. The other sprawls along the west shore, called Kaluako‘i Golf Course.

 

Airports:  The main airport is Ho‘olehua Airport, located in the center of Moloka‘i. There is also a smaller airport at Kalaupapa National Historical Park.


 

Moloka‘i Missed the Tourism Wagon – and That’s Exactly Why to Go

 

 

It’s dusk on the island of Moloka‘i. You pull your car out onto the main highway, heading to a restaurant for dinner. This is the busy part of the island, near the main town of Kaunakakai. Then you notice something strange and marvelous – nothing.

 

The two-lane highway is straight as a stick, and you can’t see a single car all the way down the road. No headlights at all in your rear-view mirror. No tall buildings or crowded luxury homes separate you from the lake-like sea, which is shining with the last colors of the sunset. The emerging stars look close enough to touch, and the sky is full of silence. You pass a huge plumeria tree loaded with flowers and, even with the windows rolled up, the sweet perfume fills the car and becomes a topic of conversation.

 

Yes, it’s true there’s “nothing” on Moloka‘i, lots of it – an abundance of the delicious “nothing” that busy people crave when their jobs and lives crowd them. No red lights, ever.

 

On a drive like this, you feel muscles unclench.

 

“People come here for the vicarious Robinson Crusoe experience,” say Akiko and Glenn Foster, who offer secluded bed-and-breakfast accommodations under the name Kamalo Plantation. “They’re people who like nature and want peace and quiet. Many of them have seen the other Hawaiian islands, and they want to get away from hotels and glitz. They want to do their own thing -- buy a bunch of groceries in town, then settle in for some privacy.”

 

The Fosters themselves found Moloka‘i through a very Robinson-Crusoe-like boating mishap. Their sailboat dismasted, and they had to limp into

 

Kaunakakai Harbor for repairs. The people at the harbor were so friendly and helpful that the Fosters decided to explore the island a bit. Rather quickly, they changed their lives and retired from their international Pacific-Rim business. “We came back to Moloka‘i. It gave us this uplifted feeling. More energy,” says Glenn.

 

“People write about this experience all the time in our guest book. They say you have time here to regroup. To rediscover yourself.”

 

Kamalo Plantation’s two fully furnished houses -- one tucked in an ancient grove next to an old Hawaiian temple of healing, and the other set above its own pocket-sized beach on the island’s remote east end -- make good examples of Moloka‘i’s out-of-the-ordinary guest accommodations.

 

 

 

Here are some others. At the east end, Pu‘u O Hoku Ranch offers two large hand-crafted cottages, each with a land-and-sea-scape that goes on for miles. Exactly opposite Pu‘u O Hoku Ranch, at the island’s dry west end with its huge beaches, travelers can

rent large homes that have swimming pools, hot tubs, and views across wild land to a sandy cove. One of these, Papapa Plantation, is a beautiful cedar home with four separate bedrooms -- a perfect share situation for friends or a family group. Next door, Miller Moloka‘i has a similar layout and rents its rooms separately to travelers who don’t mind mingling in the spacious common areas.

 

Central Moloka‘i provides a variety of bed-and-breakfast type accommodations. For example, at A‘ahi Place, just two miles from Kaunakakai, visitors can rent a furnished cottage surrounded by fruit trees and tropical plants. The cedar-walled cottage sleeps four and – typical of such places – comes with all the kitchen basics, a washer, towels, and snorkel gear. Owner Steve Sears has added a cut-rate “backpackers lodging” and an open-air communal barbecue area with television, a dipping pool, an outdoor shower, and the occasional Moloka‘i-style jam session. Steve is a carpenter who happened to be sailing past Moloka‘i one day, stopped for supplies, and decided not to leave. Keeping with the spirit of this island’s aloha, he’s happy to meet guests at the airport or ferry landing and help them get oriented. Says Steve:  “That’s what B&Bs do -- look out for people.”

 

Along its sheltered south shore the island also offers three modest mini-resorts. Two of them -- Wavecrest and Moloka‘i Shores -- are condominiums designed for home-style living. Ocean-view buildings enclose a central lawn, swimming pool, and barbecues. These are quiet places where guests sit seaside watching the sun set -- or rise. (This is one of the few places in Hawai‘i where you can watch both events from the comfort of the same park bench.)  The third such option is the likeable Hotel Moloka‘i, a cluster of two-story buildings designed like the classic South Seas “long-house.”  The hotel includes a very good restaurant and, on many nights, Moloka‘i musicians playing pool-side.

           

If you crave big, hot stretches of sand, you’ll find them on the west-facing shore at Kaluako‘i. Three excellent condominiums take full advantage of their beach-view locations -- the Paniolo Hale perched on a natural ledge, Ke Nani Kai with pool, barbecue, and tennis courts, and Kaluako‘i Villas rambling over 29 acres. All three offer golf course privileges at the nine-hole course nearby.

 


 

 

For both comfort and novelty, nothing on the island can match the Sheraton Moloka‘i. Based in the small hilltop town of Maunaloa, the Sheraton offers two radically different experiences. First, the Beach Village constitutes what must be the most comfortable beach-side campground in the world. Guests stay in two-bedroom “beach bungalows” -- ingeniously designed canvas-walled suites with solar energy, private bathrooms, and daily maid service -- and they eat at a restaurant pavilion next to the crashing surf. Second (and many Sheraton Moloka‘i guests like to do them in this order), the Lodge provides the island’s most luxurious hotel experience. Here, ‘30s-era ranch-house meets spa, billiards room, and deep sofa. Sheraton Moloka‘i’s Cultural Center also offers a long list of opportunities to hike, bike, ride horses, snorkel, surf, and practice marksmanship (archery, clay shooting, pellet guns, and paint ball).

 

Two companies provide information and bookings for the dozens of Moloka‘i homes, condos, and cottages that are available for rent. Visitors who are planning a trip can learn a lot at either of these websites:  Moloka‘i Vacation Rentals (www.molokai-vacation-rental.com) and Moloka‘i Resorts (www.molokairesorts.com).

 

None of these getaways is taller than three stories, and all of them provide natural solitude. It’s the same natural solitude you experience while kayaking along the island’s reef-protected south shore, while finding an unpopulated beach, while hiking to Moa‘ula Falls, while loafing.

 

Some families find this natural solitude to be a perfect backdrop for a family-bonding vacation. Moloka‘i simply lacks a dozen different reasons to scatter in all directions. So families share their adventures – mountain-biking together, riding horses together, learning to windsurf together. They have time to talk, to push the world aside and revive the most fundamental relationships of their lives.

 

For couples – especially couples who love the outdoors or couples who like the simplicity of quiet conversation – Moloka‘i is wonderfully renewing, if not downright romantic.

 

Moloka‘i is not for everyone. To be frank, the drive from the airport is rather bleak, passing through a parched landscape of abandoned pineapple fields. But when you get inside Moloka‘i, the riches unfold.

 

Says B&B owner Steve Sears, “Moloka‘i attracts independent travelers who don’t want to be isolated in a hotel with other tourists. They want to see how people live. They like the freedom and safety here.”

 


 

 

 

 

For Moloka‘i visitors, it’s not enough to trade the stimulation of a Mainland city for the stimulation of hotel lobbies, commercial lu’au, advertisements, attractions, and traffic. What about no stimulation at all? 

 

What about the sweet stimulation of bird song on your morning lanai, surrounded by an island that will never interrupt such an artful quietness?

 

Long and narrow, Moloka‘i looks insignificant next to its neighbors. If someone asked you to compare the Hawaiian islands to a paragraph, you’d have to say that Moloka‘i is a quiet dash between two boisterous sentences, O‘ahu and Maui. In other words, Moloka‘i provides what its neighbors can’t – a rich, simple “nothing.”

 


 

When in Moloka‘i, Be a Moloka‘ian

 

 

The Moloka‘i experience – which, no matter who you are, is a total escape from life as you know it – begins even before you board your flight. It begins when you walk away from the main terminal, with its jet noise and nervous lines, and cross over to the commuter runways.

 

In Honolulu, the room where you wait for your flight to Moloka‘i is huge and empty. You can actually hear the flight announcements. The attendant has time to walk around and answer questions. Doves fly in the room at one end and straight out the other.

 

If you depart from Maui, you stand in the breeze at the edge of the runway.

 

Your plane has two propellers. It doesn’t scream; it chuggles. And there’s no cattle chute -- you walk across the tarmac, just like Elvis boarding one of those Pan Am Clippers. The plane’s full and snug, but there aren’t many passengers. A good number of them are probably Hawaiians carrying lunch pails. You fly along the tallest sea cliffs in the world, cloaked with wild greenery and sliced with amazing canyons – one of the Earth’s natural marvels – and your neighbors are talking about their kids.

 

When you come to Moloka‘i, you become a Moloka‘ian. As one island native put it:  “People try to tell us, oh you could have this, you should do that. But no sense try to change us. We want you to change.”

 

On Moloka‘i, with fewer than 7,000 residents, everyone knows everyone else. They don’t get many outsiders. When they see one, they’re likely to slow down and wave you through the intersection. Or they’ll stop and ask if you’re okay. They might stare a little -- till you break the ice, and then they melt. Conversations are direct and honest. They don’t have a “tourist industry.” They’re not at all sure they want one. But they’re happy to have visitors.

 

Visitors experience Moloka‘i simplicity from the moment they step into Ho‘olehua Airport – which is small enough that you can just about fill out your car-rental form with one hand and pick up your luggage with the other.

 

If it so happens that your bag is delayed till the next flight, don’t worry. Someone will bring it. Someone else will lend you a pair of shorts. The next step is to drive into town for supplies.

 

“Downtown” Moloka‘i is one block long, crowded with stores on either side. Built during the ‘30s, the town looks something like the set for a movie Western that never got made. Your first reaction might be, “My gosh, there’s nothing here!”  But the opposite is true; you can find everything in Kaunakakai. This fact is invisible from the street but obvious the minute you step into any one of the shops, which are crammed with the essentials of Moloka‘i life.

 

 

There are two fully stocked groceries, Misaki’s and Friendly Market, plus a smaller place called Oviedo’s that specializes in Filipino food and serves the best roast pork in the state. Take’s Variety supplies everything from hammers to hose bibs, from Boggle games to bike parts. Moloka‘i Drugs is a full-service pharmacy where people take the time to talk with you about your prescription. And there are several places to buy made-on-Moloka‘i gifts, including Moloka‘i Fish And Dive, which is packed to the rafters with fishing and camping gear, hats, tee-shirts, and curiosities. Moloka‘i Wines ‘N Spirits is a total surprise – a great place to pick up a top-rated Cabernet, a ten-year-old Madeira, or a block of Roquefort cheese.

 

The wise visitor will do the food shopping immediately. The town is essentially closed on Sundays, and all of Moloka‘i goes to sleep every day at sundown. Most accommodations assume that you’ll adopt this rural tempo – that you’ll set up a temporary home in an isolated location and wrap yourself in the splendid silence of the island.

 

But you don’t have to become a recluse when you visit Moloka‘i. You can dine out for every meal and scarcely repeat yourself in a week.

 

Kaunakakai’s main street, Ala Malama Avenue, offers many options for a “local style” lunch. Oviedo’s is an authentic Filipino eatery. Kanemitsu Bakery serves diner-style breakfast and lunch. Big Daddy’s is good for bento (Japanese box lunch), poke (raw fish in marinade), and shave ice (island-style snow cones), then for a brief period in the late afternoon does a brisk business in Chinese take-out.

 

At one end of the street, the tiny Sundown Deli offers made-to-order sandwiches and good soup; at the other end, Outpost Natural Foods provides organic, vegetarian dishes at its daytime window. Nearby Moloka‘i Drive Inn does fast-food service with Hawaiian-style “plate lunches.”

 

The town also has two good-sized restaurants that stay open through the dinner hours. Moloka‘i Pizza Cafe is a bright, friendly place, no alcohol, with an extensive menu -- not just excellent pizzas but also chicken and ribs, sandwiches and pies. The Oceanfront Dining Room at Hotel Moloka‘i offers comfortable seaside dining, breakfast-lunch-and-dinner every day. On Sunday nights they lay out a paniolo (cowboy) barbecue buffet. On Wednesdays they serve “theme” buffets (Thai, lu’au, Mexican, Italian…). Better yet, this is a great place to hear live music. The “Aloha Friday” gathering (each week from four to six pm) is one of the island’s best traditions. Two dozen or more kupuna (elders) come together for a jam session of favorite songs, hula, laughter, and plenty of aloha spirit. Wise visitors will want to soak up this experience of Hawai‘i “as it was.”

 


 

 

Outside of town, your eating choices get rarer, but they’re just as diverse.

 

The east end of the island has defied civilization. It’s a place for hiking, horse-back riding, and hunting for castaway beaches. Out here, when your appetite starts to howl, you head for the Neighborhood Store near mile 16. The service window features burgers and shoyu chicken, saimin and stir-fry plates, floats and shakes.

 

North of town, in the upland area called Kala‘e, you have two choices. Moloka‘i Coffee Plantation makes a stop for light lunch or snack – bagels, croissants, and salads along with hundred-percent Moloka‘i coffee. Next door, the popular Kamuela’s Cookhouse serves hearty island food for breakfast and lunch (great homemade pies).

 

The west end of the island, remote as it seems, is scarcely more than a dozen miles from Kaunanakai. You have two dining choices here the small town of Maunaloa, site of Moloka‘i’s triplex movie theater and the island’s most elegant accommodation, the Sheraton Moloka‘i Lodge. One of these, situated next to the theater, is the Paniolo Café, a new place that serves hefty, high-quality plate lunches. If you find yourself looking for food late in the day, after Kaunakakai shuts down, come out here; they serve take-out food till 7:30.

 

The other restaurant in Maunaloa is the island’s finest – the Maunaloa Room at the Sheraton Moloka‘i Lodge. Here you experience high-end dining at a scale appropriate to this unique island. The chef has designed “Moloka‘i regional” cuisine, and the restaurant’s decor harmonizes with the Lodge’s beautifully stated theme as a luxury ranch house.

 

In short, you won’t go hungry on Moloka‘i. Better yet, no matter where you eat, from the Maunaloa Room to the Neighborhood Store, you’ll be mingling with the people of the island. Over half of them are native Hawaiians, and all of them are unreservedly proud of being Molokaian.

 

They’re proud of their crime-free community and proud of their freedom from the noise and ambitions, the buildings and appliances of modern life. They’re notoriously friendly, but not so much outgoing as they are simply curious. After all, if you’re on the island, they’re going to make one assumption about you – for the time being, even if only for a day, you’re a Moloka‘ian, too.

 

 

 


 

On Moloka‘i, Hawaiian Culture Is Not Just Preserved – It’s Everything

 

 

In terms of native culture, every Hawaiian island is rightfully proud of its past. The Big Island, for example, was home to the great war chiefs, particularly Kamehameha. O‘ahu, of course, was where the chiefs established the capital of their kingdom. Maui and Kaua‘i have their own histories, evidenced in archeological sites and traditions. But Moloka‘i is distinct. Its Hawaiian-ness is not only a thing of the past but also very much of the present.

 

Consider that Moloka‘i is the only island in which native Hawaiians constitute the majority of the population. Add to that the fact that Moloka‘i is almost completely rural – which means that the islanders still predominately practice traditional livelihoods such as farming, fishing, and hunting.

 

As you drive around the island, you see evidence of subsistence living – ramshackle unpainted houses, boats in the yards, fishnets hanging from the trees, chickens running loose.... In some parts of the world, sights like these are taken as images of poverty. Here, though, they are signs of freedom and continuity – signs that native culture is not so much “preserved” as it is simply lived. Hawaiian-ness isn’t saved for special displays; it permeates everyday life.

 

Take Moloka‘i’s Ka Hula Piko Festival, for example. Visitors are welcome here, but this is very much an event by and for the Hawaiians. It takes place over a week of classes and lectures, culminating in a ho‘olaule‘a – a day of celebration – that happens each May. The day begins before dawn on a wild hilltop where, according to legend, the art of hula first began. Hula halau, or schools, come here from all over the state to participate in a solemn sunrise ritual. The chanting takes place on a pa hula, or traditional stone platform, that was constructed just two years ago.

 

 (This is one of very few places where you’ll find “ancient” architecture practiced by contemporary Hawaiians.)  Then the event moves to Papohaku Beach Park for an all-day party featuring the dancers and musicians of Moloka‘i in styles ranging from ancient to rocking, amplified contemporary.

 

What’s remarkable about Ka Hula Piko is that it’s not a “visitor attraction” or a “hula show.” It’s a free-of-charge renewal-gathering by Hawaiians, for Hawaiians. The same holds true for the island’s Aloha Week festivities in October or the traditional Makahiki events each winter. Guests, fine – but that’s not the point.

 


For another example, look at Moloka‘i’s ancient fishponds. The ancestors created twenty-six of these massive stone aquaculture pens that ornament the entire south shore. Collectively, this is one of the most amazing archeological sites in the islands. Contemporary Moloka‘ians have undertaken the enormous challenge of repairing and restoring these old structures – partly out of respect for them, and partly in hopes of putting them back in service to the island economy. This effort has begun to inspire similar projects on other islands, where the Moloka‘ians are regarded as experts and consultants.

 

There’s a history to Moloka‘i’s uniquely contemporary Hawaiian-ness. Part of this history reaches back to 1920, when the territorial government passed the Hawaiian Homestead Act. The bill put displaced native people back in control of their ancestral lands – primarily here. Not only that, a lot of this homestead land is coastal. Moloka‘i will never have its shorelines sealed off by crowds of luxury developments. The size and location of the native population has a profound effect on the look of the island and the tenor of the visitor’s experience.

 

But this independent history goes back much further than 1920 – back to times of legend. According to one authoritative native history, “We were a sacred line, here from the beginning of time.” Moloka‘ians think of themselves as maoli – the true natives. When the first great war chiefs began their bloody campaigns to conquer the islands (theoretically, five or six hundred years ago), Moloka‘i resisted.

 

Here’s the story:  When the invaders came, they found the people of Moloka‘i standing on the shoreline, waiting for them. “They stood there as a silent army. No fist was raised. When the warriors began to beach their boats, the chanting began. It began small and became a mighty roar. The warriors threw their spears, but they fell short of hitting anyone. Men trying to come onto the beach were falling back into the surf choking....”

 

Calling the island Moloka‘i pule o’o – powerful prayer – the warriors chose to assimilate its wisdom rather than slaughter its people. Moloka‘i was always renowned for its powerful shamans and wise prophets.

 

In their wisdom, today’s Moloka‘ians are trying to fend off another invasion – the force that most of us call modern life. Life on Moloka‘i is so non-commercial that visitors at first might wonder, “Where’s the Hawaiian stuff?”  The answer is – it’s everywhere. Impromptu performances at Kaunakakai’s Saturday street market. A group of men standing out on the reef hauling a net together. Young girls dancing during the dinner hour at one of the small hotels. The baggage handlers playing ‘ukulele in the lull between planes. It’s normal life.

 

If you want to feel hopeful about the struggles of an aboriginal people in the face of escalating global change, go to Moloka‘i. If you want to get past the performance barrier, and feel what it’s like to live and be Hawaiian on the day-to-day, this is the heartland.

 


 

Moloka‘i on Two Wheels

 

 

“Phenomenal!” shouts Randy Peterson as he wheels back into the Activity Center at Sheraton Moloka‘i and unclips his cycling helmet. “This is five-star mountain biking. One of the best places in the world.”

 

He should know. He and his wife Jennifer love to travel and they love mountain biking. San Francisco residents – he’s in money management, and she works for an Internet start-up – Randy and Jennifer take several trips each year to places where they can play hard outdoors. They’ve been to Moab, to the Hood River, to Costa Rica, and repeatedly to Maui. But this is their first experience of Moloka‘i, and they can’t believe their good luck for having discovered the place.

 

“Our friends thought we might get bored here,” says Jennifer. “But I’ve never seen Randy so happy.”

 

They’re staying a week at Sheraton Moloka‘i, dividing their time between the Beach Village and the elegant Lodge. And they’ve been out biking every day.

 

“I had no idea how great the trails were going to be,” says Randy.

 

Sheraton Moloka‘i’s network of some sixty trails originates at the Activity Center next to the Lodge. The system was designed by off-road cycling legend Bob Ward of HairBrain Adventures. Each trail has its own name and personality. Each is clearly signposted and color-coded, just as at a ski lodge, according to the challenge it presents. Green is easy – flat roads and beginner’s trails. Blue means intermediate (that is, fun) singletracks like Keoki’s Trail, nearly three miles long and full of speed, dips, and surprises. Red signs mark the advanced trails, and a dozen are marked orange for the experts – trails chock full of obstacles and narrow switchbacks, with names like Ditch of Doom, Eager Beaver, and Lunar Descent.

 

The Activity Center rents a variety of two-wheelers – from Rocky Mountain hard tails to Martin full suspension bikes – by the day or week, as well as trailers and other accessories for children. Bikes come with a trail map, a spare tire, and a bike pump. (Yes, diehard enthusiasts can bring their own bikes.)

 

Experienced guides are available every day to lead single-track excursions. For example, the Gravity Bike Ride (daily 10 am or 1:30 pm) takes beginners on a no-sweat downhill course that drops 1,100 feet in elevation, ending at the Kaupoa Beach Village. From there, riders can get a shuttle lift back to Sheraton Moloka‘i. Advanced Course tours are available by arrangement.

 

 

 

 

 

For an experience to be found nowhere else on Earth, intermediate and advance-level bikers should take the Na‘iwa sea-cliff ride. No, this doesn’t involve riding straight down Moloka‘i’s three-thousand-foot north-shore sea cliffs (the tallest in the world).

 

But it’s close – very close. A guide trucks the bikers to the island’s upper ranchlands, the district called Na‘iwa, inhabited these days only by goats and egrets, wind and cloud. Bikers conquer several mountain climbs, then dodge their way through a single track course in a koa forest. The trees here stand not much more than a handlebar’s width apart, so the need for acrobatic maneuvering is extreme. If riders get through the first such maze and still want more, they can opt for an even tougher course that the guides call “The Grinch.”

 

The Na‘iwa ride then emerges from the forest, and bikers find themselves sailing along the brink of those sea cliffs, looking straight down at distant Kalaupapa Peninsula. For once, the word “incredible” is no exaggeration – and the trail goes on for miles. Near the end, true extremists can choose to shoot themselves into “The Hobbit” – a fifty-foot drop into a gulch that demands a hard right turn at the bottom (either that or a face-to-face with a rather stout tree trunk).

           

In short, Moloka‘i offers mountain biking for all levels of bravado. Says Jennifer:  “This is Moab without the crowds. And there’s a lot more variety here. You can have tropical green cliffs or the desert. You go through little tree stands where the trail’s just as wide as your handlebars, and then you’ll be in grassland where it’s just fields and fields and fields.”

 

For the Petersons, the Sheraton Moloka‘i experience with its designer bike courses makes a perfectly satisfying one-week adventure – they don’t even have to rent a car. But cycling opportunities on Moloka‘i extend far beyond the Sheraton itself. In fact, you can stay anywhere on the island and rely on two wheels, whether for street cycling on car-free tropical roads or for exploring wilder terrain wherever the pavement ends.

 

Moloka‘i Outdoors, located in the Hotel Moloka‘i lobby, rents “beach cruisers” as well as all-terrain and mountain bikes by the day or the week. This company makes it easy to set up a custom schedule of two-wheel adventures with a single phone call. They’ll lead your excursions, too, if you like.

 

Moloka‘i Bicycle Shop in Kaunakakai provides road and mountain bikes, car racks, trailers, and child carriers. For small pick-up fees they’ll let you leave the bikes at various island locations (for example, the airport). Bike shop owner Phillip Kikukawa himself leads custom cycling adventures when he’s not busy teaching at the high school. The best way to get a bike through Phillip is by personal contact (email, mail, or phone). Personal contact is Moloka‘i style.

 


 

 

 

Both of these outfitters offer truly sensational trail rides at Pu‘u O Hoku Ranch. This small-scale cattle ranch and organic farm covers 14,000 acres of the wild east end and the hills above beautiful Halawa Valley. Here, you can get any kind of excursion you want, from an easy hour-and-a-half for the whole family to all-day outings with some hair-raising terrain. These trails take in waterfalls, secret swimming holes, and views never seen by motorists – for example, the North Shore sea cliffs, other islands, and (in winter) a natural nursery where humpback whales cavort with their newborns.

 

Cycling author John Alford called his experience at the east end of Moloka‘i: “Epic -- a must for every adventure traveler!”

 

It’s simply true. The island of Moloka‘i is one of the finest cycling destinations in the world. And here’s what makes it better – not many people have discovered yet just how good it is. No matter where you are on the island, you have all the elbow room and freedom of choice that you want.

 

“Plus, there’s something else,” says Randy Peterson. “This is Moloka‘i. It’s low-stress and easy. Here we are, doing all this great biking -- and we still feel like we’re having a vacation.”

 


 

Ramble the Moloka‘i Wilderness,

On Two Feet or Four

 

 

On Moloka‘i, people don’t spend a lot of time indoors. You can tell this just by looking out the window of your commuter plane, flying low over this rather tough-looking volcanic mountain ridge. Moloka‘i simply doesn’t have very much “indoors.”

 

The least developed of Hawai‘i’s major islands, this one’s still rural and wild. Moloka‘i has an excellent road system – but it basically consists of just two lanes that run east to west. Farming, fishing, and hunting are pillars of the economy. Residents feel a fierce devotion to the land itself, a personal relationship.

 

As one locally written anthem puts it:  “My mother, sweet Moloka‘imakes you more of who you are.”

 

This devotion suggests that the island has a distinct personality – which it does, full of grandeur and surprise. Moloka‘i includes a national park, a Nature Conservancy forest preserve, a national natural landscape, and great places to hike and ride horses. Travelers whose idea of a vacation is Zion or the Grand Canyon will be inspired by a week on Moloka‘i.

 

Although this is a small place – less than forty miles long and only ten wide – a week will not exhaust its potential for outdoor exploring. It will, however, provide a solid, thorough introduction to the whole personality of the island, which is certainly one of Planet Earth’s most exuberant creations.

 

In terms of natural wonders, Moloka‘i’s chief attraction is its north shore. This whole side of the island is sealed off by a series of gigantic cliffs that plunge – some more than three thousand feet – straight into the shimmering sea. At intervals this imposing wall is sliced by blade-thin canyons or draped by some of the tallest waterfalls in Hawai‘i.  It looks as though half the island simply ripped off and fell into the sea.

 

In fact, geologists believe something of that magnitude did occur in past eons, sending out a tidal wave that literally rocked the Pacific. Afterwards, a small volcanic outburst created a flat peninsula, Kalaupapa, which seems to float forlornly at the base of the tallest sea cliffs on Earth.

 

These vertical slopes and the flatlands above them support native forests, including some of the most endangered plant and animal species in the world.

 


 

 

Obviously, it isn’t easy to explore such a tilted landscape on foot. But it’s doable by means of three distinct one-day adventures.

 

For example, the trail to Kalaupapa Peninsula begins at the top of the cliff, right next to where you park, and it drops nearly two thousand feet to the sea by means of twenty-six switchbacks. It’s a wide, safe trail often shaded by forest, the air full of bird song and roaring surf, the views wonderfully shocking.

 

You can make the four-mile trek by foot or by mule. Both choices are about equally strenuous, but mule-back provides greater opportunity to enjoy the shock. Moloka‘i Mule Ride has been offering this four-footed service since 1973. Why mules?  Says head muleskinner Buzzy Sproat: “Mules are a heck of a lot smarter than horses. In fact they’re smarter than most people.”  Whereas horses can be skittish and easily startled, mules take a calm, methodical approach to the cliff-side trail. According to Sproat, whose family has been training and working these beasts in Hawai‘i for a hundred years, the mules know the route so well that they place their hoofs in the exact same spots every time they make the trip.

 

Whether you make it on two feet or four, the trip always includes an educational component -- a narrated drive around the peninsula in the old yellow schoolbus of Damien Tours. Access to Kalaupapa National Historical Park is restricted to its forty-or-so residents and their guests. So even if you hike down, you must become a guest by calling Damien Tours first and buying a seat on the daily bus. (You must also be at least sixteen years old.) 

 

The tour itself is fascinating, sometimes even comic (if your driver is the opinionated “sheriff of Kalaupapa,” Richard Marks), and in the end -- especially after a visit to the church hand-built by Father Damien -- quite inspiring. And there’s something perfect about the timing of that old schoolbus. By the time you reach it, you’re eager to sit down. And by the time you’ve finished driving around those rocky roads, you’re more than happy to get back on a mule.

 

Even if you don’t plan a day for the trail, you can walk to an overlook and do some easy hiking in the woods at Pala‘au State Park.

 

Another way to approach “backside Moloka‘i” is through Kamakou Preserve. This patch of rare undisturbed mountain forest contains over two hundred fifty kinds of native plants -- ninety percent of them live nowhere else but Hawai‘i. The Nature Conservancy has built a boardwalk that runs through several miles of the preserve, including a bog inhabited by closely crowded, dwarf versions of endemic plants. The boardwalk keeps hiking shoes from sinking into the bog or treading on the plants. This and other trails run between two overlooks -- top-side views of two valleys that slice steeply down to the sea. These viewpoints are exhilarating. Cool, sweet-scented wind rushes up from below, and rainbows hang on long waterfalls.

 

 

 

You need four-wheel-drive to get to Kamakou. (All the island’s rental companies provide such cars.)  And you need to stop ahead of time at the office of The Nature Conservancy, just outside of Kaunakakai. This nonprofit environmental group manages the preserve, and they need to keep track of its visitors. By the way, The Nature Conservancy offers guided hikes once a month -- usually they’re booked four months in advance -- and sometimes their work parties will give hikers a lift. They also lead monthly hikes to Mo‘omomi Preserve, a remote beach and dune area.

 

Lacking four-wheel-drive, you can hike to Kamakou Preserve. This is a vigorous trek, a full day of silence and solitude. You start at sea level on the south shore and cross the width of the island, rising the whole way until you stand at the top of the north shore. There are three trailheads:  one across the road from One Ali‘i Beach Park, another at the top of a subdivision called Kawela Plantation I, the third at the top of Kawela Plantation III. These are unmarked and unsupervised jeep trails. Hikers travel at their own risk in the spirit of wild independence.

 

A third and easier way to experience “backside” Moloka‘i is to drive around the east end of the island. The road stops at beautiful Halawa Valley, the first of the north shore’s small, steep-walled canyons. The hike up the valley is a Hawaiian classic 

through lush forest and past ancient settlement sites to two-hundred-fifty-foot Moa‘ula Falls, where you can swim in the pools. Valley residents don’t want people just traipsing through, but they don’t mind if you’re led by a guide. To book the hike, you need to call the hike guide’s house after five pm – very Moloka‘i. (The Moloka‘i Visitors Association can help you with this, too.)

 

You can reach the top part of the falls, and swim in natural pools, by riding on the wonderful sorrel horses of Pu‘u O Hoku Ranch. This 14,000-acre ranch and organic farm acts as a benevolent steward of the rugged east end. The ranch offers a wide range of horseback experiences, including a sunrise ride, a romantic sunset ride with champagne dinner in a wild setting, and a coastal ride past a humpback whale playground. The coastal ride culminates, if you like, with a plunge into the sea, horse and all.

 

The opposite end of Moloka‘i, the dry west end with its huge beaches, still bears the signs of its ancient life as a getaway spot for the Hawaiian royal class. Quiet, sunny coastal trails lead to the remains of an old village, an adze quarry, and a road paved by pre-discovery natives. Historical Hikes West Moloka‘i helps people explore this area by means of outings -- ranging in challenge from easy to advanced – that emphasize stories of Hawai‘i’s culture and lore.

 


 

 

 

Also at the west end, Sheraton Moloka‘i operates a remote seaside Beach Village that transforms tent living into the height of luxury – or at least of convenience. Ingeniously designed compounds of canvas and wood provide hot showers and electricity (all solar), privacy and comfortable beds. Meals are served in an open-air restaurant next to the wild beach. While they stay here, campers can choose from a number of outing options -- cultural hikes, horse riding on the ranch’s vast grazing lands, as well as biking, kayaking, sailing, surfing, paintball games, skeet shooting, and target practice with air rifles and with archery.

 

Campers with more modest ambitions and tighter budgets can pitch tents at a couple of county-run campgrounds. The choicest of these is west-end Papohaku Beach Park, a grassy campsite with showers, restrooms, drinking water, and – best of all – the near presence of the largest beach in Hawai’i. One Ali‘i Park near Kaunakakai offers similar facilities along the quiet, reef-protected south shore. Also, the State of Hawai’i permits free camping at a couple of mountain sites – at Pala‘au State Park near the Kalaupapa trailhead, and in a meadow near the Waikolu Lookout at the entrance of Kamakou Preserve.

 

As the Hawaiian islands go, Moloka‘i has definitely followed a different drummer. It has resisted the lure of commerce, happy to miss out on what Mark Twain called “all the modern inconveniences.”  As a result, it’s a treasure for those independent travelers who prefer the solace of outdoor beauty over the clamor of indoor attractions. For people who love the Earth, unadorned, Moloka‘i’s distinctive personality stamps itself indelibly in the heart.

 


 

Moloka‘i By Car

 

 

The island of Moloka‘i is less than forty miles long. And it’s only ten miles wide. That means, if you got everybody off the island and started at the west end, driving your car as fast as possible, you could burn up every paved road in about an hour.

 

If you’re in the mood to do something like that, Moloka‘i’s probably not the island for you.

 

But if you’re in the mood for tooling around where people interpret the posted speed limit as a sign of maximum recklessness – in a place without traffic lights and almost literally without traffic – this is the one.

 

This is the one because it rewards the slow driver and the frequent stopper.  If you drove like mad, the place would seem to be just a long hilltop of red dirt and short grass – not to mention its incredible coastline, with the beautiful islands Maui and Lana‘i in the offing. But the curious traveler, even the one who explores no farther than the paved roadways, will discover many subtle surprises on Moloka‘i.

 

By contrast to the other Hawaiian islands, this one has very little finesse for attraction-making and self-promotion. Its chief strength is its genuine and distinctive personality. It’s an off-beat personality, certainly. For the right traveler, though, Moloka‘i is extremely endearing.

 

The slow driver would start by noticing that the western coastline, the one facing O‘ahu, forms a bowl-shaped arc that holds Hawai‘i’s biggest beaches – not to mention, some of its least populated. Naturally, this is the place for Moloka‘i’s one modest resort area, Kaluako‘i, and the excellent nine-hole course of the Kaluako‘i Golf Club. The coast includes a few beautifully designed condominiums and custom homes, and it’s the site of the annual Ka Hula Piko Festival. Once each May, Papohaku Beach Park -- a great place to hang out or camp any day -- turns into a high-energy music-and-dance festival where the Moloka‘ians celebrate their island roots.

 

This is also the coast that launches the greatest long-distance outrigger canoe races in the world. Each September and October, Hawai‘i’s canoe-regatta season climaxes here in the ultimate challenge – hundreds of hardened athletes paddling from here to Waikiki across the brutal Kaiwi Channel.

 


 

 

 

On a hilltop overlooking this coast sits Maunaloa, a town so small you’d have to call it a hamlet – the headquarters and community housing for Moloka‘i Ranch. The ranch recently renovated the entire community, retaining its original tin-roof spirit, and added the elegant Sheraton Moloka‘i Lodge. Along Maunaloa’s small retail strip you can get essentials such as gas, groceries, or a mountain bike – which is essential if you want to ride on the Sheraton Moloka‘i’s world-class singletrack trails. Another Maunaloa staple:  designer kites from the Big Wind Kite Factory. Sail them in the park next door. If you can’t remember how they work, the kite-makers will be glad to show you.

 

By Moloka‘i standards, Maunaloa is a contemporary kind of place. It has the island’s posh restaurant – the Maunaloa Room at the Lodge. And it has the island’s movie theater (a tri-plex!), located next to a lively little plate-lunch restaurant called the Paniolo Café. (By the way, travelers who arrive on the last flights of the day should head here for their first-day dinner; the island’s grocery stores close by sundown.)  On this island, even a hint of mall culture seems the height of decadence. Nevertheless, Maunaloa is still the kind of hamlet where, if you happen to be the only person out driving after eight o’clock, the only person who happens to be out strolling calls to you, “Good night!”

 

The drive to central Moloka‘i is all rough pastureland, hill country. Gradually the long shore to the right reveals itself, swathed in an immense shallow reef that stands nearly a mile off shore – the largest reef system in the U.S. To the left, the island’s ridge-line is often capped with thick clouds.

 

Midway between the airport and Kaunakakai – the island’s major town – there’s an intersection on the left. This is Highway 470, the only major side-route on the main east-west highway. (None of Moloka‘i’s roads, by the way, has any more lanes than the perfectly adequate two. One for each driver.)

 

Drivers who make this left turn find themselves heading uphill through the orchards of Moloka‘i Coffee Plantation. You can stop here and tour the farm by foot, learning everything about coffee production from seed to cup. Tours go out every day at 9:30 am and 11:30 am. Call first to let them know you’re coming. Moloka‘i Coffee Plantation also has a coffee bar that serves light lunch and a gift shop that offers made-in-Hawai‘i crafts. The down-home Kamuela’s Cookhouse restaurant is next-door, serving local-style breakfast and lunch.

 


 

 

Further up-slope, in the cool mountain district called Kala‘e, the prominent rough-wood building set in a pasture is the R. W. Meyer Sugar Mill, fully restored to operating condition. Built in 1878 by a German engineer and his sons, it demonstrates the ingenuity that went into sugar processing in those un-motorized days. Next door, the Moloka‘i Museum and Cultural Center offers exhibits and classes.

 

The road then passes the surprise of the Ironwood Hills golf course, nine holes, unpublicized, and informally run – no facilities; put your inexpensive greens fee in the honor-system paybox.

 

The road ends at Pala‘au State Park, a pleasantly cool forest. Even if you’re not a “frequent stopper,” you must get out of your car here and walk two very short trails. One leads to the Kalaupapa Lookout – suddenly you’re standing at the brink of the tallest sea cliffs on Earth.  The trade winds are pushing you back from the edge, the wall of cliffs goes on for miles, and the tragic peninsula of Kalaupapa lies below, waves smashing its shores. The sight is mesmerizing any time of day, but try it at sunset when cloud-brimmed sunlight streaks from the side and there’s no one else around.

 

The other trail leads to Moloka‘i’s curious Phallic Stones, towering rocks shaped just like.... Let’s just say that women have traditionally slept up here to stimulate their fertility.

 

Back down the hill and left on the main road, past Kamehameha V’s seaside coconut grove – a forest of shaggy-headed columns – quickly you’re in Kaunakakai. Downtown. It’s a block long, and everybody knows everybody except you, the visitor. They didn’t know you were coming; otherwise they would have dressed up. Nobody knows quite how to act, but that’s fine. Everyone’s honest.

 

It’s a primitive-looking town where you can acquire the primitive essentials – for example, an inexpensive Cabernet (rated 95 by Wine Spectator) at Moloka‘i Wines ‘n Spirits. Or a loaf of the revered Moloka‘i Sweet Bread from Kanemitsu Bakery. Or a cast-iron camping griddle from Moloka‘i Fish and Dive. If you’re extremely lucky, a Hawaiian family will be selling homemade lunches, foil-wrapped and pounds-heavy, off the tailgate of an old pickup. In other words, Kaunakakai has what you need – and that includes bike rentals, a pizza cafe, a natural food store, a pharmacy, and a gallery featuring the work of island artists and artisans. All you have to do is park the car on Ala Malama Avenue and walk through some of those primitive-looking doors. But not when the town is closed – every day after dark, and Sunday.

 


 

 

Kaunakakai is where Moloka‘ians stage their athletic events (in a lighted county ballpark) and where they celebrate their heritage during Aloha Week and the winter Makahiki Festival. They’re the last people on earth who would ever make you feel excluded from their own events – after all, you’re a visitor 

 

Past Kaunakakai now, you cross into the rainier east end of the island. The line is nowhere drawn, but with each mile the sense of being “east end” increases. The road starts winding, its bends full of trees. This is where Moloka‘ians concentrated their population in the old days. Along this lake-like shoreline, they built huge stone fishponds, ancient feats of aquaculture engineering. Present-day Moloka‘ians are restoring them. You can visit two churches hand-built by Father Damien. He deliberately placed them near the sites of old Hawaiian temples such as Ili‘ili‘opae Heiau. The east end is ancestral and wild.

 

Near the extreme eastern tip of the island, the Honouliwai Taro Patch Farm offers a charming opportunity to stop, stretch, and learn something about traditional Hawaiian lifestyles. In a valley watered all year round by a fresh spring, Lee and Jim Callahan have revived a plot of ancient ponds in which they grow taro, the staple food of old Hawai‘i. Lee is happy to give a demonstration tour of the farm, including samples of the food she grows and an introduction to the farm assistant, an Asian water buffalo named Bigfoot. Call ahead for an appointment.

 

 

After miles of winding past isolated beach-coves, the road rises through the green pastures of Pu‘u O Hoku Ranch. Here you can ride horses in the open countryside, down by the sea where humpback whales gather and raise their families, or up in the mountains where there are waterfalls and pools.

 

The road ends by dropping dramatically into Halawa Valley, with its sinuous sandy bay and deep green canyon walls. From this point, Moloka‘i’s nearly vertical north-shore cliffs forbid any farther passage by automobile.

 

At this point, a determined driver will go rent a Jeep or other type of four-wheel-drive vehicle. Off-road Moloka‘i beckons.

 

Two wild areas retain some unspoiled remnants of Hawai‘i’s threatened native ecosystems. One is Kamakou Preserve. This dirt-road excursion leads to the highest part of the island, where you can look down from above at one of the most precipitous valleys in the island chain. The sight of


 

 

Waikolu Valley will have you stepping back, gasping. Trails here run through pristine areas, especially the Pepe‘opae Boardwalk that goes through a fragile bog habitat and ends at a dizzying overlook of deep Pelekunu Valley.

 

Another such excursion leads to a shoreline nature preserve at Mo‘omomi. Here the coastal dunes provide habitat for many rare native plants and animals. In the old days, the Hawaiians came here to gather sea salt, to fish, and to quarry materials for their stone tools.

 

Both of these preserves are managed by The Nature Conservancy of Hawai‘i, and any four-wheel voyage into these at-risk natural areas should begin with a visit to the Nature Conservancy’s headquarters near Kaunakakai. At the headquarters you can let them know your plans, pick up maps, and get guidance on how to behave for the cause of wilderness conservation.

 

Another good four-wheel-drive journey is the one-hour trip down from the town of Maunaloa to Hale o Lono Harbor. In an earlier day, agricultural products were shipped from here to O‘ahu. Now it’s a quiet spot for exploring, fishing, or just ending the day with a beautiful sunset.

 

This is the limit of Moloka‘i by car. All you can do now is turn around and drive slower.

 

First-time drivers here need to be warned. On Moloka‘i, people wave. When they see that you’ve got a rental car, they’re likely to slow down and make sure you get through the intersection okay. Experiences like these are liable to change the way you feel about civilized driving.

 


 

 

Moloka‘i By Sea

 

 

It’s just after dawn on the beach at the Hotel Moloka‘i, and the light is brilliant. The wind and the sea are perfectly matched – both are barely moving and slightly cool.

 

You pull your bright yellow kayak slushing across the beach, sleekly into the water, and jump in. Right away you know what to do – start paddling. It’s instinctive. It’s what people have been doing here for thousands of years.

 

If you’re a novice paddler, it takes a few minutes to get the grip and rhythm. Meanwhile, during the first awkwardness, you also happen to be shooting straight out into the open sea. So you’re grateful that there are no waves breaking over your hull or pushing you sideways. In fact, there are no waves at all. The ocean is amazingly calm.

 

The sea floor is just a few feet below you, and no matter how far you travel away from shore, it stays right there. “If you fall out,” says your guide, “just stand up.”

 

Suddenly you begin to grasp the amazing nature of Moloka‘i’s south coast. Now you can see that, in fact, there are waves – dead ahead. But they’re about a mile away!  Out there, taking the blows of the sea, is the front edge of the reef – a natural wall that wraps more than thirty miles of this coastline. You’re paddling the shallow, lake-like surface of the most extensive fringing reef in the United States.

 

Needless to say, this is a great place to kayak. In the morning, before the tradewinds pick up velocity, you can paddle this coast with relative ease, investigating the ancient fishponds that line the coast. These fishponds -- sea-enclosures built of artfully stacked stone – give silent testimony to the skill and ingenuity of the bygone residents of this island.

 

Two companies provide these guided kayak excursions. Moloka‘i Outdoors departs from its headquarters in the lobby of Hotel Moloka‘i. Moloka‘i Fish and Dive, a sporting goods store on Kaunakakai’s main strip, departs from the small-craft slip at Kaunakakai Wharf.

 

This latter kayak trip goes west along the coast to explore Pala‘au Fishpond, the largest of them all and the only one containing brackish water – a mix of sea water and fresh streamwater that rolls off the land into the stone enclosure. This circumstance gives the Pala‘au trip an extra kick:  paddling through a dense jungle. The shoreline at Pala‘au is choked with an impenetrable forest of mangroves. (The mangrove is the only tree capable of growing in seawater. Once established, it forms a forty-foot-high thicket full of darkness, stillness, and the creaking of branches.)  The guides of Moloka‘i Fish and Dive have discovered that the fresh water streaming out of Pala‘au Fishpond creates a narrow channel through this jungle, a kind of kayak “trail.”  They take their guests on this eerie trail, which in places gets so close you have to drop your paddle and pull yourself along by grabbing roots and branches. Typically, guests will exclaim: “This is just like Disneyland!”  And it is, with one important difference – this is no amusement park. It’s the real McCoy.

 

A kayak excursion is just one way to experience Moloka‘i by sea. The people of the island have always lived and thrived on contact with the ocean, and they like sharing this tradition with their guests.

 

Moloka‘i Charters, for example, operates a forty-two-foot sloop called Satan’s Doll, which recently returned from a four-year trip around the world. Owners Richard and Doris Reed will take you sailing on a two-hour sunset cruise, a half-day whale-watch, or a full-day trek to snorkel isolated anchorages on the coast of Lana‘i. Sportfishing boats -- the thirty-one-foot, twin-diesel Alyce C., for example, or the twenty-seven-foot Ahi of Fun Hogs Hawai‘i – offer the excitement of hooking up to a big marlin, a mahi mahi, or an ono. (They go whale-watching, too.)  Ahi captain Mike Holmes is one of the only fishing-boat skippers in Hawai‘i who believes his guests should keep whatever they catch.

 

Fun Hogs will also take you outside the reef to find the best waves on the island, hand you a boogie board and some advice, then let you play. Or Mike will cross over to Manele Harbor on Lana‘i, sometimes providing one-way passage for independent-minded travelers exploring Hawai‘i’s small, undeveloped islands.

 

Scuba diving on Moloka‘i? You bet. Moloka‘i Fish and Dive, the kayak provider, offers many kinds of activities but scuba is a particular specialty. For dive trips, they use Mike Holmes’s Ahi and some skillful guides – young men who are not only PADI certified but also born-and-raised island boys who know the waters as well as anyone alive. They know all the “blue holes,” the underwater caves, and places for swimming with hammerhead sharks.

 

All of these sea-going excursions begin and end at the Kaunakakai Wharf, on the reef-protected south shore. Along the north shore, though, where wave and wind strike against the tallest sea-cliffs in the world, boating is a different experience altogether. For that you need Walter Naki of Moloka‘i Action Adventures and his twenty-one-foot Boston whaler called Puakea O Wailau. Walter has unique qualifications for taking people “backside.”  First of all, he’s an exceptionally competent outdoorsman – hunter, fisher, diver. Moreover, his family roots are here along this intense coastline, in now-uninhabited Wailau Valley. Walter’s grandfather was one of the last Hawaiians to leave the valley and adopt a more civilized lifestyle.

 

The trip leaves from Halawa Valley, at the extreme road’s-end of east Moloka‘i. Walter’s little boat bounces and dances over the swells as he races past the cliffs, a big grin on his face. He’s home. He points out the sights – Hawaii’s longest waterfall, rare seabirds with fantastically long tails, strange rock formations associated with old legends. He shoots his boat through a natural tunnel in the seacliffs. He lets his passengers wade ashore at Wailau Valley, where they wander around in a waking dream of lost Polynesia. It’s a wild ride – “for hardy people,” says Walter. But he not-so-modestly declares his trip to be one of the two best activities on Moloka‘i (the other being the trek to Kalaupapa Peninsula). By the standard of pure exhilaration, there’s no doubt he’s right.

 

Moloka‘i Action Adventures (that is, Walter Naki) also offers customized experiences of deep-sea fishing, hunting, spear fishing, reef trolling, and even fly-fishing. Just say what you want, and we will provide – that’s the Moloka‘i spirit. In the world of “package” travel, this island is always personal.

 

The largest seagoing vessel that you are likely to see docked at Moloka‘i is the ferry. It crosses the Pailolo Channel every day between Kaunakakai and Lahaina, West Maui. Moloka‘ians use the ferry to commute to jobs or to do their bulk buying on the much larger neighbor island.

Conversely, visitors to West Maui will use the ferry so that they can include Moloka‘i in their travel experiences. The channel crossing, which takes less than two hours, costs about half the price of an airplane ticket.

 

Actually there are two vessels in the ferry fleet. The Maui Princess is 118 feet long, a high-speed touring yacht that carries as many as 150 people. The Moloka‘i Princess is a similar craft and almost as large. Both vessels have been fitted with gyroscopic stabilizers that help take some of the chop out of rough channel crossings. Activity providers such as Moloka‘i Outdoors offer programs that greet guests at the ferry landing and get them back in time for the return trip. This means that Maui visitors can make a day trip to Moloka‘i. But most people would agree that a few hours on Moloka‘i isn’t nearly enough time. A two or three night stay between channel crossings makes a lot more sense.

 

Aside from the seagoing activities mentioned here, you’ll see little else in the way of traffic on Moloka‘i’s pristine and brilliant blue seas. There’s no yacht harbor choked with masts, no giant glass-bottom dinner-dance cruise boats, no submarine rides, no parasails. Moloka‘i is not for everybody – and that’s precisely the reason to go.

 

 


 

The Adventure of Kalaupapa National Historical Park

 

 

Like a Gettysburg battlefield or an Anasazi cliff dwelling, the national park at Moloka‘i’s Kalaupapa Peninsula tells a rich and important story about being human. But its human drama tends to overshadow another fact – one that’s equally compelling. Kalaupapa is one of the most thrilling landscapes on Earth. Taken as a one-day adventure, the trek repays your moderate exertion with maximum inspiration.

 

In fact, you scarcely have to exert yourself at all – just walk a short distance from your car at Pala‘au State Park – to get an airplane-level view of the terrain. Suddenly you’re standing at the top of the highest sea cliffs in the world. The sheer green walls, sliced with waterfalls, go on beyond seeing. So does the ocean, blue as a dark gem. White waves crash against the rocks two thousand feet below.

 

That’s where Kalaupapa is. Down there, all alone. It’s a wedge-shaped piece of runaway land that seems to have slipped out from the base of the cliff and gotten stuck. You see a few confetti-sized rooftops and a one-lane airstrip that looks as though someone rubbed with an eraser on the grassy lava.

 

Kalaupapa gives the word “remote” new meaning.

 

Scarcely more than forty people live there, all of them white-haired. The cargo barge arrives once a year -- an annual Kalaupapa holiday, when everyone gets to look at each other’s new stuff and make jokes about it.

 

Once a day, right through town comes the Damien Tours bus, yellow as a dusty banana, a vintage all-metal school bus with green plastic seats and stainless-steel hang-on poles. When the bus comes through, the residents make sure they’re busy somewhere else. They prefer not to be put on display.

 

You’d probably hide out, too, no matter where you lived. But Kalaupapa is a special place. The residents are all survivors of a well-known tragedy – now very much a thing of the past – and they’ve been given the privilege of living out their days in peace and privacy.

 

Starting in 1866, Hawai‘i citizens who contracted Hansen’s Disease – the dreaded “separating sickness” or “leprosy” that figures so prominently in Bible stories – were sent here, virtually cast away. This was the final mission of Father Damien, now a candidate for sainthood, and other “Martyrs of Moloka‘i” whose sacrifices inspired a global effort to cure the disease.

 


 

 

 

In keeping with its hard-won spirit of privacy, Kalaupapa offers no lodging, no shopping, and no lunch counter. Visits are restricted to a single day.

 

Actually, there’s an exception to this rule. The national park has a volunteer work program with three-day-minimum stays. In fact, for people who like to be outdoors and doing something purposeful, the park’s volunteer program offers a startlingly original way to visit Hawai‘i – preserving rare native habitat for endangered plants and animals, and working around one of the most valuable archeological preserves in the state.

 

No matter how you visit, you have to be at least sixteen years old and you have to be a guest of one of the residents.

 

It’s easy to become a guest – call for a reservation with Damien Tours and get on that clattering school bus. On many of the trips, the driver is the “sheriff of Kalaupapa” himself, Richard Marks. Marks likes to stop the bus every so often to set out food for the peninsula’s wild life – cats, axis deer, and pigs. As he steers the bouncing bus along the rough-graded road from town to the site of Father Damien’s church, he tells the story of the settlement. His stories are scathingly funny and infuriating. He makes you feel what it was like to be cast away here, a victim of the by-gone fear about Hansen’s Disease. The sheriff’s stories are sarcastic, but the lingering emotion of the tour is something more like awe – especially after you’ve sat in the church that Damien built by hand and heard of saintly people who sacrificed their lives here. In the end, the experience of visiting Kalaupapa is as uplifting as the wall of cliffs beside it.

 

But when you’re standing up at the top, at the lookout, staring down the long cliff, it’s natural to ask yourself – how?  How do you get down there? 

 

Obviously, the airstrip offers one option. Every day, a couple of midget planes will bring a few passengers for the school bus, then five hours later whisk them back to Honolulu or Maui or even to the little Moloka‘i airport “topside.” 

 

Or you can walk.

 

There’s one trail – four miles long and two thousand feet down. The trailhead starts not far from the lookout. Bring lunch and lots of water. And take your time. Stop to savor the impressions – the native forest that cloaks the cliff, the birds trilling, the phenomenal sea crashing below you. The trail is wide and perfectly safe. It’s built to accommodate the maneuvering of mules.

 


 

 

 

Yes, you can ride a mule down the trail to Kalaupapa. Each mule trek is timed to meet with the old bus. The mules are big and brown, sure-footed and safe -- safe as your living-room sofa. It’s important to keep remembering that “sofa” image on your way down the cliff – when you’re mounted tall in the saddle and your steed is casually clopping its hoofs around the outside edges of the trail’s twenty-six dizzying switchbacks.

 

The ascent, of course, is no piece of cake, not even on mule-back. It’s not easy, nudging and kicking your mulish way all the way back up the switchbacks. By the time you get topside – elated in body and mind – you know that you’ve had an experience. Something completely involving.

 

And when you get topside, whether by hoof or foot or even by plane, you are surrounded by something just as rare – the remarkable island of Moloka‘i. The glow of amazing remoteness that you feel on the peninsula does not fade up above. The entire island is a place snatched out of time.

 

 


 

The Creative People of Moloka‘i Offer Heartland Authenticity

 

 

Two years ago, Moloka‘i’s first recording studio, a start-up operation called Monkeypod, took a big risk. It released a CD of songs by a fifteen-year-old boy raised in a remote “backside” valley. Today, Darrell Labrado, the “Kid from Moloka‘i,” is a household name in Hawai‘i.

 

Monkeypod’s collection of various island artists, “Moloka‘i Now!,” also topped the local charts. The company’s new release by Sterling Kalua is expected to explode. Sterling will no doubt have to face the choice of whether to give up his good day-job with one of the airlines.

 

Hawai‘i pays attention to Moloka‘i.

 

In the 50th state, Moloka‘i is the native heartland. It’s the only island with a majority population of native Hawaiians. While tourism flourished, Moloka‘i defied commercialization. Residents, regardless of their ancestry, feel first and foremost that they are Moloka‘ians.

 

In Hawai‘i, people know that anything coming from Moloka‘i will be unusual, strong, and done well.

 

The high quality of Moloka‘i’s creative people is evident when you look around Kamakana Gallery, a one-of-a-kind project in the island’s only town, Kaunakakai. The gallery displays the work of island artists, carvers, weavers, quilters and so on – fifty-eight of them.

 

Wood-working is a Moloka‘i strength. Bill Kapuni carves the implements of his ancestors -- deep-toned pahu drums from eighty-year-old coconut trunks, platters, and lidded wooden urns called ‘umeke. Jack Ewing takes full advantage of the density and color of Hawaiian hardwoods to create bowls so thin that they glow when held up to the sunlight. Rob the “Mountain Man,” who keeps his rustic woodshop and home at the edge of the Kamakou preserve, likes to integrate the hard edge of the forest with his masterful work.

 

Some artists practice skills so rare you won’t find them elsewhere. For example, Lola Spencer used a state foundation grant to learn the endangered craft of weaving lauhala, the leaves of a Polynesian coastal tree related to the yucca. Her hats are masterpieces – tight weave, lovely shapes, and a highly disciplined control of color and pattern.

 

Moloka‘ians like these are true originals.

 


 

 

 

So is homeboy Rik Cooke, whose credits include National Geographic and a fascinating coffee-table book of island portraits. In 1989, he and his wife Bronwyn created a retreat center called Hui Ho‘olana, a gathering place for “creativity, healing and the arts.”  Set in the cool uplands of Kala‘e, the Hui offers a schedule of live-in courses on subjects such as Life Paint And Passion, Seeing Your Life Through New Eyes, and Kawaikapuokalani Hewett’s Hula Intensive.

Perhaps the most colorful of Moloka‘i’s creative souls are Jonathan and Daphne Socher. They stumbled on this outpost island twenty years ago and decided to open a business that it certainly lacked – a design shop for making kites. Today the Big Wind Kite Factory still inhabits the same building and gift shop it originally established in the mini-town of Maunaloa, headquarters of Moloka‘i Ranch and the Sheraton Moloka‘i. The Sochers travel to Indonesia every year to add oriental design ideas to their colorful flying concepts.

 

For two decades the Sochers have made good on their belief that Moloka‘i visitors eventually, inevitably discover the essence of the island – which has something to do with the wind and more to do with play.

 

Says Jonathan – who is as big-bearded as Saint Nicholas    Moloka‘i is for people who don’t need anybody to tell them how to relax.”

 

In short, keep your eye on the creative people of Moloka‘i. The island has great power and many teachings. People who know Hawai‘i are watching Moloka‘i because this island has something peculiar and genuine to offer. Its residents are independent, honest folk, proud of their island home. They create in the spirit of its wild isolation.

 


 

 

 

Moloka‘i Through the Year

 

 

Arrive when the community is celebrating – this is an excellent strategy for travelers who truly want to dig into and discover the culture they visit. This strategy is especially valuable when that culture is strongly distinct, deeply rooted, geographically unique, and full of people who are proud to belong.

 

In other words, this is especially true on Moloka‘i.

 

Moloka‘i’s annual festivals celebrate two main themes – the healthy physical challenge of the island landscape, and the rich spiritual importance of its ancient traditions. However, to avoid sounding too high-brow about all this, let’s point out another theme – Moloka‘i people do love to party!  Community gatherings usually involve lots of good food and live music by the island’s many talented musicians.

 

Visitors are always welcome. But don’t expect to be coddled. Join in. These events are not tourist attractions but down-home expressions of, by, and for the community. Just one caution is necessary:  when this island celebrates, visitors from the other islands will throng the place. (After all, Moloka‘i is Hawai‘i’s heartland.)  So you might have some trouble finding a rental car, and you might find that Moloka‘i’s limited accommodations are all booked. The wisest advice is to plan ahead by at least three months. A little long-range thinking can give you an authentic cultural experience that you will savor in memory for the rest of your life.

 

The following paragraphs describe most of the major annual events for the island. Others arise, and the details given here can change. The best way to keep track of Moloka‘i through the year is to check the website and stay in touch with the folks at molokaievents.com, Inc.

 

The Ka Moloka‘i Makahiki Festival takes place on the third Saturday of every January. From ancient times in Hawai‘i, the Makahiki season has always been the most festive period of the year – a post-harvest period of peace, games, and sporting competitions between the different island regions. This contemporary version, a one-day festival, preserves that tradition in the style of Moloka‘i. Lectures, land and ocean activities, sporting competitions, a song contest, and ceremonies take place at the Mitchell Pau‘ole Community Center in Kaunakakai.

 


 

 

April sees the annual Ho‘omau Concert, which benefits the Punana Leo o Moloka‘i program. Punana Leo is a Hawai‘i-wide program dedicated to keeping the native language alive by teaching the children to be fluent speakers. Without a living language, no culture can expect to have a future. So this all-day concert at One Ali‘i Beach Park helps finance a critical cultural program, gives a performance venue to the island’s many talented musicians, and brings the Moloka‘i people together for a darn good time.

 

April is also the month for Earth Day around the world. What better place to recognize the preservationist spirit of Earth Day than on one of the earthiest islands on the globe?  The day is sponsored by The Nature Conservancy Hawai‘i.

 

May sees two formidable open-sea paddling races across the Kaiwi Channel, a 39-mile crossing between Moloka‘i and O‘ahu and one of the most grueling and challenging passages on Earth. The Kaiwi Challenge Relay draws people come from all over to make the crossing in one-person canoes, starting at west Moloka‘i’s Kaluako‘i Resort and ending at the Waikiki Outrigger Canoe Club. Later in the month, the Kanaka Ikaika (strong man) Kayak Race is the world championship kayak competition for both men and women.

 

May is also the month for a uniquely Molokaian celebration of hula. According to ancient tradition, the essential dance form of Hawai‘i first emerged on Moloka‘i. The Ka Hula Piko Festival – “a celebration of the birth of the hula” – features a free outdoor concert that lasts all day at Papohaku Beach Park in west Moloka‘i. Hula halau (schools) come here from throughout the state; so do electrified Hawaiian bands, comedians, food-sellers, and handcrafters. This is a great party!

 

In July the Moloka‘i Relay For Life raises funds to fight cancer and the benefit patient services and programs on island. Best of all, this musical celebration lasts all night and features song, comedy, and good food. In the same month, the Moloka‘i To O‘ahu Paddleboard Race establishes the world champion of long-distance paddleboard racing.

 

During August “Youth In Motion” are to be found all over Moloka‘i engaged in sports clinics and competitions to develop their mental, emotional, and physical skills. The Youth In Motion program was launched by a Moloka‘i woman and is one of the most exemplary such programs in the country. It includes a windsurfing race from Maui to Moloka‘i and a competition involving canoes powered by kites. August is also the month for the state tournament for bow hunters. Spectators are welcome to watch displays of high-level archery skills involving bows and arrows of various types.

 


 

 

September is the month for the annual Na Wahine o ke Kai outrigger canoe race. The title means “women of the sea,” and the display of power from these highly trained all-female canoe teams will astound you. Visitors can catch sunrise and the race launch at remote Hale o Lono Harbor, Moloka‘i. Competitors work their way across the Kaiwi Channel, ending at the Hilton Hawaiian Village.

 

September is also the month for Aloha Festivals, a major festival time throughout Hawai‘i. This week is a great time to be in and around Kaunakakai for an involved program of shows, parades, a ho‘olaule‘a (celebration) and a Royal Ball.

 

In October, the month after the women show their stamina in the outrigger team channel crossing, the men dig in. The Moloka‘i Hoe Outrigger Canoe Race is the top world event in the men’s division of this grueling team sport. The race takes off at dawn from Hale o Lono Harbor.

 

During the same month, Moloka‘i welcomes the top chefs from Maui County – and there are many! – to gather on island and perform their culinary magic with locally grown products. This event is the annual Business & Food Expo, sponsored by the Moloka‘i Chamber of Commerce.

 

November sees the Friendly Isle Ultra-Marathon, which attracts runners from around the world. Sponsored in part by the Kaihou Running Club of Japan, the event features a 100K (62-mile) run, a 42K (26-mile) run, and a 42K four-man relay. November is also the time for the island’s annual celebration of traditional Hawaiian performing arts. The He Makana Aloha Competition, held in Maunaloa town’s outdoor amphitheater, stages events in seven different categories of island performance, including dance, song, slack-key guitar, and ‘ukulele. Additional events involving lectures, crafts, and celebrity appearances make this fairly young event one of the signature annual moments in contemporary Hawaiian culture.

 

The Moloka‘i year closes with its December Festival of Lights, a lively event featuring an Electric Light Parade down the main street of Kaunakakai. The idea is to bring a chair and park along Ala Malama Avenue for this island’s answer to the Rose Parade. Good fun!

 

The much celebrated “aloha spirit” of Hawai‘i is not an abstract concept. It permeates the lives and customs of people who grow up close to the land, the kupuna (elders), and the old ways. Nowhere in the islands can you get closer to this spirit than by joining the independent-minded community of Moloka‘i.